—  Andrew J. Friedenthal

Logan is brilliant as Sheila, the aging dancer who tells of her unhappy childhood and has a sassy comeback for Zach's every request. 

— Carolyn Lamberson

As Velma, Floyd sets the stage for a good night with the opening number, the iconic “All That Jazz.” She brings a Jazz Age feel to her performance that was a joy to watch.

— Andrew J. Friedenthal

Logan as Sally Bowles is less of a good-time girl, as most actresses portray Sally, and more of a knowing participant in her own degradation, a terrifying take on the character that is perfectly in tune with the rest of this production.

—  Michael Meigs

Logan as Sally Bowles is determined and direct, without a hint of cuddle or giggle. Her rendition of the "Cabaret" ballad at the close, all the way downstage, carries regret and a sense of fatality, very much in keeping with Eibler's numb "I Don't Care" just minutes before in the act.

— Michael Talbot-Haynes

Non-Binary actor Floyd brings the house down with their debut [film] performance as Maya. They bring the sympathy needed to make this kind of broken character work. The character’s struggles to keep everything together are brought to the forefront through the actor’s portrayal. That hook Floyd uses to lure the audience stays planted throughout their transformation of Maya, all without skipping a beat. At no time did I catch a false note or hint of hyperbole in Floyd’s acting. They pulled off a supreme feat of acting.